Micaela Aldridge is a classically trained mezzo-soprano who is interested in performing in creative mediums and learning music from all styles and time periods. As a performer, she is in high-demand for new and contemporary operas. She is also deeply passionate in advocating for heavy social and institutional reforms in the classical music field while promoting diversity, equity, and inclusion for fellow artists and performers.
American mezzo-soprano Micaëla Aldridge (she/her) is a versatile performer with experience in opera, art song, oratorio, contemporary works, musical theater, jazz, and folk music. Born into a musical family, she began voice lessons at nine years old and started her classical career singing works by her father, composer Robert Aldridge, and appearing on NPR’s From the Top at age seventeen. Ms. Aldridge later went on to receive her bachelor’s degree from Oberlin College & Conservatory and her master’s degree from the University of Michigan - School of Music where she was a recipient of the prestigious Jessye Norman Graduate Fellowship in Voice.
This past season, she made her debut at Carnegie Hall in concert with the #Vox Feminarum organization for female composers, as well as marking her highly anticipated role debut in the titular role of Carmen with Mason Gross School of the Arts, Rutgers University . Previous seasons saw her role debut as the Composer in Ariadne auf Naxos with Taconic Opera as well as performing in a workshop of a new opera Escobar, creating the role of Diana Turbay with Rutgers Opera. She also made her Lincoln Center debut as part of Marshall Opera's second Oral History Project Concert and The Opera Next Door 's Summer Stoop Concert Series. Additionally he performed with Beth Morrison Projects and #VisionIntoArt in their workshop of Paola Prestinis's opera Sensorium Ex, made her debut at Nashville Opera performing the role of Miss Jessel in Britten's The Turn of the Screw and participated in Dell'Arte Opera Ensemble "Voices from the Tower" festival. Ms. Aldridge was also the North Carolina District Winner at the 2019 The Metropolitan Opera Laffont Competition . The 2017-2018 season saw her return to Seagle Festival for her second summer, where she performed the role of Cornelia in Handel’s Giulio Cesare in Egitto; in her previous season at Seagle, she appeared as the Third Lady in Die Zauberflöte. While at the University of Michigan, she sang Hermia in Britten’s A Midsummer Night’s Dream, as well as performed in multiple collaborative works, standard repertoire, and world premieres by both student and professional composers. She also performed and curated a solo recital of music written by all female-identifying composers, with a focus on intersectionality and gender issues of the past and present.
Ms. Aldridge has participated in numerous apprenticeships and training programs, including the Bonfils-Stanton Foundation Artists Training Program at Central City Opera, where she toured throughout Colorado as Thelma in John Musto’s chamber opera Later the Same Evening. She has also participated in the Miami Music Festival, performing Le Prince Charmant in Cendrillon, and the Janiec Opera Company at Brevard Music Center. Other notable roles include the title role in The Rape of Lucretia and Florence Pike in Albert Herring, both from her time at Oberlin Conservatory.
Ms. Aldridge resides with her husband, Love, and her Siberian Husky, Balto. She is a student of Dr. Bille Bruley. When she is not performing, she teaches private voice lessons in her hometown of Montclair, New Jersey.
Micaela Aldridge is a classically trained mezzo-soprano who is interested in performing in creative mediums and learning music from all styles and time periods. As a performer, she is in high-demand for new and contemporary operas. She is also deeply passionate in advocating for heavy social and institutional reforms in the classical music field while promoting diversity, equity, and inclusion for fellow artists and performers.
American mezzo-soprano Micaëla Aldridge (she/her) is a versatile performer with experience in opera, art song, oratorio, contemporary works, musical theater, jazz, and folk music. Born into a musical family, she began voice lessons at nine years old and started her classical career singing works by her father, composer Robert Aldridge, and appearing on NPR’s From the Top at age seventeen. Ms. Aldridge later went on to receive her bachelor’s degree from Oberlin College & Conservatory and her master’s degree from the University of Michigan - School of Music where she was a recipient of the prestigious Jessye Norman Graduate Fellowship in Voice.
This past season, she made her debut at Carnegie Hall in concert with the #Vox Feminarum organization for female composers, as well as marking her highly anticipated role debut in the titular role of Carmen with Mason Gross School of the Arts, Rutgers University . Previous seasons saw her role debut as the Composer in Ariadne auf Naxos with Taconic Opera as well as performing in a workshop of a new opera Escobar, creating the role of Diana Turbay with Rutgers Opera. She also made her Lincoln Center debut as part of Marshall Opera's second Oral History Project Concert and The Opera Next Door 's Summer Stoop Concert Series. Additionally he performed with Beth Morrison Projects and #VisionIntoArt in their workshop of Paola Prestinis's opera Sensorium Ex, made her debut at Nashville Opera performing the role of Miss Jessel in Britten's The Turn of the Screw and participated in Dell'Arte Opera Ensemble "Voices from the Tower" festival. Ms. Aldridge was also the North Carolina District Winner at the 2019 The Metropolitan Opera Laffont Competition . The 2017-2018 season saw her return to Seagle Festival for her second summer, where she performed the role of Cornelia in Handel’s Giulio Cesare in Egitto; in her previous season at Seagle, she appeared as the Third Lady in Die Zauberflöte. While at the University of Michigan, she sang Hermia in Britten’s A Midsummer Night’s Dream, as well as performed in multiple collaborative works, standard repertoire, and world premieres by both student and professional composers. She also performed and curated a solo recital of music written by all female-identifying composers, with a focus on intersectionality and gender issues of the past and present.
Ms. Aldridge has participated in numerous apprenticeships and training programs, including the Bonfils-Stanton Foundation Artists Training Program at Central City Opera, where she toured throughout Colorado as Thelma in John Musto’s chamber opera Later the Same Evening. She has also participated in the Miami Music Festival, performing Le Prince Charmant in Cendrillon, and the Janiec Opera Company at Brevard Music Center. Other notable roles include the title role in The Rape of Lucretia and Florence Pike in Albert Herring, both from her time at Oberlin Conservatory.
Ms. Aldridge resides with her husband, Love, and her Siberian Husky, Balto. She is a student of Dr. Bille Bruley. When she is not performing, she teaches private voice lessons in her hometown of Montclair, New Jersey.
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