A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
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A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
Daniel Montenegro
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
You are viewing Daniel Montenegro’s public profile. To message Daniel, view contact information, professional endorsements, activity, and more, join Stagetime.
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
In 2015, Daniel made his Lyric Opera of Chicago, Houston Grand Opera, and San Diego Opera debuts as Luis (a role he created) in El Pasado Nuca se Termina. Recent seasons include Giovanni (La Hija de Rappaccini) with Gotham Opera and his European opera debut at the Théâtre du Châtelet as Mario in Daniel Catán’s Il Postino along side Plácido Domingo, as well as a number of significant role and company debuts including Roderigo (Otello) with San Francisco Opera under Nicola Luisotti, Alfredo (La Traviata) with New Orleans Opera and Minnesota Opera, Nemorino (L’elisir d’amore) with Washington National Opera, Pang (Turandot) at the Hollywood Bowl conducted by Gustavo Dudamel, Pong (Turandot) with San Francisco Opera and Dallas Opera, Roméo in Roméo et Juliette with Tulsa Opera and the Castleton Festival, and most recently, Mario in Il Postino with Opera Saratoga, Pinkerton in Madama Butterfly with Arizona Opera, and Rafael in Cruzar la Cara de la Luna in his debut with Fort Worth Opera. The 2017-2018 season included a concert of excerpts from La bohème with the Quad City Symphony, Rafael in Cruzar la Cara de la Luna in his debut with both New York City Opera and Houston Grand Opera, and his San Diego opera debut as Arcadio in Florencia en el Amazonas. The 2018-2019 season and beyond sees him as Pinkerton in Madama Butterfly with Opera Columbus, Alfredo in La Traviata with Arizona Opera, Luis in El Pasado Nuca se Termina with Fort Worth Opera, and making a return to San Francisco Opera.
Daniel features on ‘Great Voices Sing John Denver’ alongside Plácido Domingo and many other key operatic names; produced by legendary arranger and music producer Milt Okun, the disc was released on the MRI Associated label in June 2013.
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
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ADA Artist Management, Maplewood, NJ
Biography
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
A graduate of San Francisco’s prestigious Adler Fellow Opera Program, American tenor Daniel Montenegro is recognized for his flexible and distinctive voice and a varied repertoire of bel canto, verismo, and contemporary roles.
In 2015, Daniel made his Lyric Opera of Chicago, Houston Grand Opera, and San Diego Opera debuts as Luis (a role he created) in El Pasado Nuca se Termina. Recent seasons include Giovanni (La Hija de Rappaccini) with Gotham Opera and his European opera debut at the Théâtre du Châtelet as Mario in Daniel Catán’s Il Postino along side Plácido Domingo, as well as a number of significant role and company debuts including Roderigo (Otello) with San Francisco Opera under Nicola Luisotti, Alfredo (La Traviata) with New Orleans Opera and Minnesota Opera, Nemorino (L’elisir d’amore) with Washington National Opera, Pang (Turandot) at the Hollywood Bowl conducted by Gustavo Dudamel, Pong (Turandot) with San Francisco Opera and Dallas Opera, Roméo in Roméo et Juliette with Tulsa Opera and the Castleton Festival, and most recently, Mario in Il Postino with Opera Saratoga, Pinkerton in Madama Butterfly with Arizona Opera, and Rafael in Cruzar la Cara de la Luna in his debut with Fort Worth Opera. The 2017-2018 season included a concert of excerpts from La bohème with the Quad City Symphony, Rafael in Cruzar la Cara de la Luna in his debut with both New York City Opera and Houston Grand Opera, and his San Diego opera debut as Arcadio in Florencia en el Amazonas. The 2018-2019 season and beyond sees him as Pinkerton in Madama Butterfly with Opera Columbus, Alfredo in La Traviata with Arizona Opera, Luis in El Pasado Nuca se Termina with Fort Worth Opera, and making a return to San Francisco Opera.
Daniel features on ‘Great Voices Sing John Denver’ alongside Plácido Domingo and many other key operatic names; produced by legendary arranger and music producer Milt Okun, the disc was released on the MRI Associated label in June 2013.
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