Founded by three Maine-raised singers, Opera in the Pines is an alternative opera company committed to reinventing the opera experience. We strive to provide other Maine based artists with the opportunity to showcase their talents, utilize unconventional spaces, and create intimate performance experiences for both seasoned opera lovers and new audiences alike.
The mission of Opera in the Pines is to enrich Maine communities with high-quality musical experiences through unique operatic productions, educational programs, and other opera-related activities, regardless of age, awareness, or background.
Opera in the Pines introduced their inaugural season in 2022 with two sold-out performances of The Diary of Anne Frank, in collaboration with the Maine Jewish Museum, which went on to be named the third prize winner of The American Prize in Opera Performance, Professional Division. In the 2023 season, Opera in the Pines presented a sold-out run of Bar Crawl Bohème, an immersive, community-focused adaptation of the operatic classic at Maine Beer Company, Three of Strong Spirits, and Oyster River Winegrowers. Most recently, Opera in the Pines produced their most ambitious production to date: a sold-out, critically acclaimed reimagining of The Crucible at The Old Red Church in Standish.
Upcoming performances include The Barber of the Cape, a world-premiere adaptation of the beloved opera, The Barber of Seville, at Cape Neddick Lobster Pound.
Opera in the Pines presents the Maine premiere of Robert Ward’s The Crucible in an immersive theater experience that summons the audience as the jury of the infamous Salem Witch Trials of 1692. When the women of Salem are accused of witchcraft, we witness the betrayal of an entire community; the ruthlessness of the prosecutors, the eagerness of neighbor to testify against neighbor, and the destructive power of socially sanctioned violence. This haunting reminder of witch hunts throughout history, that still exist in the present day, forces us to confront the fundamentals of human nature and question the systems by which power is sustained, challenged and lost.
The Crucible was commissioned in 1961 by the New York City Opera. With a libretto by Bernard Stambler, the opera is based directly on the Arthur Miller play and famously inspired by the McCarthyism of the 1950s. Miller implied that the Red Scare once again sacrificed innocent people to public hysteria. When he was called before the House Un-American Activities Committee in 1956, Miller refused to supply names of people he met years before at an alleged communist writers’ meeting. Ward’s operatic version went on to win the Pulitzer Prize and a New York Music Critics Circle Citation.
In this new adaptation where the roles of the classic play are reimagined, we will feature a cast entirely of Maine singers with professional ballet dancer, Grace Koury, of Portland Ballet. We are proud to include the professional debut of rising soprano and Standish native, Mia Love, in the role of Abigail Williams, and welcome back Abi Levis, a South Portland native, in the role of Elizabeth Proctor. Abi Levis has been recognized as one of the most exciting and versatile performers of her generation, performing with LA Opera, Utah Opera, Dallas Opera, Opera Philadelphia, and Deutsche Oper Berlin, among others.
Opera in the Pines will present Bar Crawl Bohème, an immersive, community-focused adaptation of the operatic classic La bohème, performed by and for Mainers in a first of its kind bar crawl across the state! Many of us might already be familiar with the traditional version that inspired the musical Rent, featuring various scenes in the lives of four struggling artists: a poet, a painter, a musician and a philosopher. One Christmas Eve, their neighbor, the seamstress Mimì, knocks at their door, asking for a light for her candle. She quickly falls in love with the poet, Rodolfo, and their lives are changed forever. Our Bohemians attempt to find their way despite the dark realities of the world in this timeless story of the magic of first love, the special innocence of youth, and the devastation of loss. This opera was first composed by Giacomo Pucci between 1893 and 1895 to an Italian libretto based on Scènes de la vie de bohème by Henri Murger. Our libretto, adapted by Kristine McIntyre and updated by Sable Strout, will take place in 2019 Maine, with no idea what the new year will have in store. We invite opera lovers and new audience members alike to become an integral part of our story for themselves and join us in a genuine celebration of Maine, its people and the emerging craft beer, wine and liquor industry.