Since 1975, Opera Philadelphia has been Philadelphia’s professional opera company, performing at the historic Academy of Music, the Kimmel Center’s contemporary and intimate Perelman Theater, and across the city during our Festival O, which launched in 2017. The Opera strives to deliver outstanding productions of both traditional and exciting new works that resonate with the community; to identify, cultivate, and cast rising young talent alongside internationally-acclaimed singers; and to present innovative programs that educate, broaden, deepen, and diversify the opera audience, both in Philadelphia and beyond.
In this opera, the chorus has the starring role. Composer Gregory Spears, whose music has been called “astonishingly beautiful” (The New York Times), “coolly entrancing” (The New Yorker), and “some of the most beautifully unsettling music to appear in recent memory” (The Boston Globe), creates a labyrinthine soundscape to accompany a dream-like rendering of the fairytale “Sleeping Beauty,” inspired by modernist writer Robert Walser. As the Opera Philadelphia Chorus sings itself in and out of slumber, the voices pull us into a liminal space where time is both fractured and cyclical. Conceived with and directed by the transformative Jenny Koons, this visually dazzling world premiere activates a collective voice to question the fragile line between waking and dreaming. Corrado Rovaris conducts.
In this opera, the chorus has the starring role. Composer Gregory Spears, whose music has been called “astonishingly beautiful” (The New York Times), “coolly entrancing” (The New Yorker), and “some of the most beautifully unsettling music to appear in recent memory” (The Boston Globe), creates a labyrinthine soundscape to accompany a dream-like rendering of the fairytale “Sleeping Beauty,” inspired by modernist writer Robert Walser. As the Opera Philadelphia Chorus sings itself in and out of slumber, the voices pull us into a liminal space where time is both fractured and cyclical. Conceived with and directed by the transformative Jenny Koons, this visually dazzling world premiere activates a collective voice to question the fragile line between waking and dreaming. Corrado Rovaris conducts.
Micah serves as assistant conductor to Corrado Rovaris on Opera Philadelphia’s fall 2024 mainstage production of Missy Mazzoli’s The Listeners.
Composer Missy Mazzoli and librettist Royce Vavrek follow up on their acclaimed 2016 world premiere Breaking the Waves with a thriller about the seductive power of cults and charismatic leaders in a divided nation.
The Listeners examines the lengths to which we, as Americans, are willing to go to find a sense of place and purpose, and the way in which confident, charming leaders can exploit these needs to their own ends.
A middle-class mother (soprano Nicole Heaston in her company debut) living in a southwestern U.S. suburb notices a “hum,” a high-frequency environmental noise that only a select few people, the "Listeners,” can hear. A community organization quickly forms to solve the mystery of the hum, but when the de facto leader (Kevin Burdette) suggests a spiritual significance, the meetings become increasingly cult-like. Is this community of “Listeners” on a collision course with destruction?